LONELYPOND PRESENTS

News:

Haven’t talked Shakespeare in a bit, but the calls about Merchant of Venice (#merven) auditions are already starting so it’s moving back into the mull over space in my brain. And my holdover obsession from my last reading is RINGS. Three of them: Portia’s, Nerissa’s and Shylock’s.

Shylock has a ring, you say, I missed that. If you did, go back, because I can’t get the thought out of my head that it is THE pivotal moment for his character. As Shylock is having a meltdown over his daughter’s disappearance with his goods, having only just paused that to finish his meltdown over the unfair treatment of Jews and moneylenders, his fellow moneylender Tubal reports he saw a ring Jessica traded for a monkey. Shylock’s wife had given him that particular turquoise ring before their bethrothal. Tubal’s revelation comes at the end of a scene mixing Shylock’s rage and thirst for revenge over his daughter’s betrayal with Antonio’s ill fortune and the opportunity it affords Shylock to settle a lifetime of grievances (III i) This scene changes the whole tone of the play and Shylock’s interaction with the world around him. And Shakespeare tosses in this moment of sentiment/personal history/real emotion(?) after Shylock’s totally over the top, playing to the balcony seats, possibly staged and well rehearsed rant*. So we come to the make or break scene, but while most seem to focus on the big dramatic “Hath a Jew not eyes” speech, I find myself focusing on what Shylock says after, when left alone with his only peer in the play and discussing the trigger of his raging sorrow (Jessica’s betrayal). Taming of The Shrew (#tamingshakespeare) taught me to only pay as much attention to the “BIG” speeches as the play actually requires so what I find myself wondering is not does Shylock bleed but does he shed a turquoise tear over wife’s loss and daughter’s treason.

And now to the shredding. Well, it’s going to take an exceptional actress to convince me that Portia’s not just a bubbling fountain of egocentric, self important, smart ass cruelty. What she does to Shylock could be justified as over protectiveness of Bassiano but then I stumble over the cruel trick she and Nerissa play on their newlywed husbands. First, they give Bassiano and Graziano rings and make them swear never to take them off, give them away, etc. Then, Portia and Nerissa, disguised as learned doctor of laws and his clerk, demand the men give them the rings as payment. Later in the final act, Portia and Nerissa claim to have lain with the doctor and the clerk by virtue of their possession of said rings. Oy. I must say the men show remarkable forbearance. Almost (only almost) more than finding a Portia, I worry about finding a Bassiano who can make Portia seem lovable. And Portia never bothers to explain that it might be a response to some of Bassiano’s protests of his loyalty to Antonio during the trial. Shakespeare often leaves a kick in the teeth for directors in Act V (if he hasn’t earlier aka Act I, sc ii of The Tempest, which should just be a prequel titled The Duke Of Milan).

So while many people focus on the three caskets, gold, silver and lead, that challenge Portia’s suitors, I find myself obsessed with three rings.

*I admit to pre prepping the occasional rant while pacing in my office/backyard/empty theatre; haven’t you?

Well, the Olympics are over, The Lion, The Witch and The Wardrobe has closed, we’re caught up on Chuck, Blink Kitty Love did not get a Streamy nomination(thanks to everyone and anyone who voted!) and the snow might be melting. So what now? Well, do you want the To-Do list or the quick reviews. Let’s do reviews.

Chuck — loved Season 2. And considering how well they did with guest stars in Season 2, why oh why did they INFLICT Brandon Routh on us (it can’t be only me)? Oy. Yvonne Strahovski continues excellently expressing quiet discomfort over Chuck’s evolution but the whole two people moving in separate directions with two other people plot angle is VERY forced and seems like just an excuse to shoehorn in “GUEST STARS” and rushed choices. Always nice to see Kristin Kreuk, if only they’d put her in the guest part that lasted more than four episodes.

Smallville is back and I’m remembering it’s on Fridays. Watched the morning show episode and enjoyed it, although I really wish they’d stop dressing Tom Welling all in the smooth, stylish black. I don’t like the dark color palette but the characters seem to having a little more fun.

Wizards of Waverly Place — slumping. Alex as go go over the top cheerleader? no no. Good luck Charlie is looking like fun. The actor playing the Dad (

Work on a new Blink Kitty Love — a great title hit me yesterday
Keep writing “The Lady Lost” or “Maybe Turning That Corner Wasn’t The Brightest Idea I Ever Had”
And have some fun, darn it.

Good night.

Well, this is the question that’s been bugging me. Where’s the new Blink Kitty Love? What’s the band up to?* It’s been a month.

Yes, it’s been a month, but I think the whole Streamy push tired me out…Yes, it would be GREAT to be nominated for a Streamy and I really do think that Blink Kitty Love deserves consideration in both the Best Animated Series and Best Experimental Series categories, but I find that the energy required to promote something drains the energy required to create something.

Did you look outside, there’s winter (and snow).

I’m learning how to draw tigers for my two week Chinese New Year artistic meditation — very exciting; I love focusing on one animal a year. Here’s the collection so far and the current year.

Meanwhile, there’s been the The Lion, The Witch and The Wardrobe set, which I am helping with but the designer is an amazing artist who has a vision in his head and doesn’t want anybody else raising a brush near it. I respect that but it is also draining in its own way.

More exciting is that I’ve been discussing (early for me) Merchant of Venice (#merven) with a really cool artist who is planning to do the logo so I’ve been getting up to speed on that (and trying to coordinate a conversation — scheduling is one of the more annoying things to do while also being one of the more important).

So I’ve been drawing less, tweeting less, blogging less and stressing more. Which is just the low point of a natural cycle so it’s time to swing back the other way.

I did remember to catch Smallville: Absolute Justice. Their viewing numbers must be a huge increase over other weeks since I think everyone I know who has ever loved a comic book watched it. Smallville has caught a lot of interest now, so we’ll see where it goes. There were some great moments in Justice - Dr. Fate putting the mask on tops the list, a moment of heroism that made you catch your breath, and the newsreel footage was excellent. It was nice to see heroes without the shades of murky grey that Smallville likes to muck everything up with. I hope this can continue without the presence of Geoff Johns’ writing. But WAY TOO MANY COMMERCIAL BREAKS, CW. You abused your audience’s tolerance there. There are other ways to make transitions.

Looking forward to The Lightning Thief opening next weekend. Finally got the books back from my mom because Gayle saw the movie trailer and said do you have the books?

What I have been reading is the Hopeless Savages collections. Finally ordered the second and it’s better than I remember (I have all the original issues but I need to sort my comics out and find them). I was initially turned off by Bryan Lee O’Malley’s art, so different from the first series, but decided to give it another go now that I’ve had the “fall in love with Scott Pilgrim (or maybe Kim Pine) experience.” I recommend both series; there need to be more comics like that. Read ‘em.

*The band continues chatting on their Twitter feed and their blog so you can still continue the Blink Kitty Love love while we’re all hibernating (warning: food cravings may occur). And I do have some live footage I’m planning to experiment with (warning: food cravings may occur) soon.

Stay warm, darn it.

Greetings, o most loyal and amazing blog visitors. Happy 2010. I’m going to give you a fairly thorough round up as I would really like to be taking a couple of weeks for some R + R while it’s cold and all my baser instincts are saying, “Stay under the covers, it’s warm.” I am not particularly good at the R + R things so I may be forced to resort to things like read all the Harry Potter books, read all the Sarah Caudwell books, read all the Terry Pratchett Watch themed books, read my MFK Fisher + Elizabeth David, dig out my Raymond Chandler and Peter Cheyney, read through the pile of newspapers, watch all the movies I’ve borrowed from friends (Tristram Shandy, Bubba Ho-Tep, Steam Boy), watch the movies I watch every year and skipped in ‘09 (the original 3 American Pies, Tomb Raider, Bring It On, The Bandwagon, Strictly Ballroom, etc.)

So to tide you over, there’s the new Blink Kitty Love, all the old Blink Kitty Love, the band website and this:

Lunch With Tristram Stuart who feeds people from discarded food to highlight wastage.

Article about really cool jazz pianists CD collections I can’t afford.

The FT’s this year in culture quiz…

Stefan Stern’s suggestions for movies to watch and pick up business tips from this season (for the rest of you who don’t do R + R).

Very cool story about a native Gypsy theatre experiment/troupe in Spain. I am always amazed by the effect theatre can have on both audience and performers.

Umberto Eco’s latest looks to land on a list of fun reads.

Hoping to catch Nine at the local cinema…doesn’t look like Orson Welles and Me or The Station will make an appearance here; bumped Moon to the top of the Netflix queue and may soon give in to the buy Star Trek and/or Wizards of Waverly Place The Movie DVD urge…also on that list, the Cary Grant double feature — The Bachelor and The Bobby Soxer and Walk, Don’t Run, which I just saw on TCM and laughed at the frequently priceless moments.

TV: Zeke and Luther’s I, Skatebot episode looks cool, a bit worried about Wizards vs. Werewolves (Wizards of Waverly Place) — perhaps too soon after Wizards vs. Vampires and what will be left for Max, Wizards vs. really grumpy mythological creatures left out of the Twilight series — not really watching much on Nick at the moment except for late night What I Like About You, Top Gear kicks off a new season soon (Gayle very excited), I still miss Warehouse 13 and I really need to spend more time reading.

Merchant of Venice (#merven) planning not kicking into gear — but it’s early yet. Trying to get an artist for the logo, Gayle’s scheduling shows, I’ve decided to have people audition with their cool electronic gear (cell phones, laptops, etc.) Need to read through the play again; concerned about the Bassiano/Antonio axis –and no, I don’t mean in the gay way, just in the everybody’s always so concerned about Portia and Shylock, but hey without these two, I’ve got two right side wheels on a vehicle that needs two on the left as well.

The Lonely Pond Productions, Inc. annual meeting went in unexpected directions. But Google Wave worked well when the snow prevented travel. I need to put together scripts for a short live action adaptation and a few animations. And mull over movie related issues some more.

And Sarah Hemming’s “Twelfth Night” review left me grumping about people who weight down comedies with misery so I have been considering exactly how tragic the characters of Malvolvio, Sir Andrew, Wile E. Coyote, Elmer Fudd, et al are. And her Rope review makes the show sound like an excellent experience to have in a theatre.

Speaking of Hitchcock, there was a Vanity Fair photospread (thanks @njtam, a fellow Hitchcock fan) of modern stars in classic Hitchcock scenes…the women do better than the men, who seem to suffer from not being Cary Grant or Jimmy Stewart.

My current favorite breakfast is oatmeal with hot apple cider for a drink, my current most likely to be worn shirt is this one (it amuses Gayle) and I heard this amazingly goofy song at one of our favorite restaurants that Google has been no help with finding the title of…the lyrics as we can remember go something like this: “you’re good cause you don’t do things like (or that) you should…you’re cool cause (cuz?) you don’t do things by the book.” Sounded like a guy singing, it was a Spanish-Peruvian restaurant where music usually has spanish lyrics, it was chanty, and if you drop the title/artist in the comments, there will be a reward.

And I think that gets you up to date — and should tide you over for awhile. Wishing you the best of 2010’s. Stay warm.

P.S. Cool toasters…I need one.

Have been meaning to write a post about Merchant of Venice (#merven) and costuming thoughts for awhile, definitely since Vanessa Friedman’s excellent coverage of this year’s Paris + Milan Fashion Weeks. Gayle and I have been talking clothes. We’re thinking very modern so we may have to add an iron to our usual touring gear and hit up consignment shops in Baltimore and Philadelphia for some suitable ties, if not entire suits. I can imagine the thrill that will be felt by the actors wearing business suits outdoors in the end of July heat.

Merchant of Venice is striking me more and more as a sleek, ruthless play of marble chess pieces in sharp edged modern suits, always on the go, accumulating, communicating, sifting, betting, collecting, judging. I ordered the Oxford edition . The Pelican, my choice in the past, is only available as a Kindle download. And there is always the Riverside as a constant, but it’s not portable. So the Oxford is my carrying around copy. I don’t remember liking the Arden or the Folger and I won’t have anything to do with an edition that has anything to do with Harold Bloom. I do not like his commentaries. I’m a Northrop Frye kind of director.

The Oxford’s simple cover graphic — a balance/scales — also appealed. From a quick perusal of the commentary, that item is an excellent choice because Merchant seems to be more about capital letter CONCEPTS: Justice, Mercy and their cousins, than it is about any of the individual characters. Perhaps that’s another reason for Portia’s disguise: not only can she save the day, she can represent a quality.

I am directing/exploring Merchant because I have had so many reactions to it. As a child, Portia was my favorite Shakespearean heroine. I loved how she manipulated logic and legal concepts while riding in to save the day (I also loved the Lone Ranger). So I had good memories of Portia. Then, several years ago, I reread Merchant as a possible choice for the next summer’s Theatre Under The Trees (”yes, sir, that’s my baby”) and was repulsed by Portia’s cruelty. I had this sudden vision of Alicia Silverstone in Clueless and Reese Witherspoon in Legally Blonde but without any warmth or heart or humor — shearing sharpened pink sabers.

Plus, there’s the Jew thing. You can’t get around the “gentle Jew” problem. Once I had a vision of doing an indoor adaptation titled Merchant of Hong Kong, with dark woods, harbor motifs, Chinese Mandarin robes and a British Shylock. Jew switched for Brit. There’s high concept for you.

York has a troubled history with racial and other forms of discrimination so the inciting a race/religious war concern will remain present. I know I’ll have to be prepared for cast questions/discussions. And honestly, I don’t know what to say. That’s why I want to direct Merchant. Shylock has this incredible speech that not only humanizes him but explains his behavior is as the Christians taught him. Gayle’s theory is that the play is anti-banker, although she hasn’t read it recently. Bankers are right now, here in 2009, the villians of nearly every piece. The only way I know to figure out if my first or second impression of Portia is the more accurate one is to direct the play, with no idea how it will turn out. Shakespeare’s truths show in performance.

I think Merchant might turn on Bassiano, the character I’d forgotten. There’s always a character who matters more than you think, the way in for the audience, the point everything pivots around, the weather for the play. In Twelfth Night, it’s Olivia; in Midsummer, it’s Oberon. They’re the characters who bring all the pieces together. And I had forgotten Bassiano. You remember Shylock, Portia, even Antonio. But I think Bassiano might be the one who makes it all work. But that’s just my first THIRD impression, after a quick read. I’m sure there’s a few more to come.

I was writing behind the scene posts, linking to fun FT articles, getting rejected by the Chicago International Children’s Film Festival, writing a kick ass Merchant of Venice blurb (yes, I, Michelle Denise Norton, have decided to take on yet another infamous Shakespearean speech. Stayed tuned for round by round updates), buying a shirt, listening to Radio FlashCatFlash, Radio blinkkittylove, searching the web, remembering the 80’s, Twittering, and doing and thinking about a galaxy of other things. Here’s the highlights:

Merchant of Venice blurb for the season brochure (then I stop thinking about it for several months):

Merchant of Venice follows Portia, another of Shakespeare’s inimitable heroines, as she makes her way through an obstacle course of money and marriage. One of Shakespeare’s most misunderstood comedies? Or the cruelest? See for yourself.

An excerpt from my Blink Kitty Love Animator’s Journal:

So many people cite Chuck Jones, Tex Avery, the team at Disney as early animation influences; not me. With Blink Kitty Love, you put Rocky and Bullwinkle, Scooby Doo and Josie and the Pussycats in a blender, press mince and here we are, having a blast + burning a hole in our Wacom tablet.

Read the rest at the Blink Kitty Love blog.

El Tigre won 4 Daytime Emmys…congratulations + to celebrate, here’s a fan made mashup trailer of High School Musical 3 + El Tigre.

FT’s Vanessa Friedman on the fashion industry making itself accessible to the film industry.

Peter Aspden on The Beatles, their digitally remastered back catalogue + a lack of originality in contemporary musical endeavors.

The Herge (creator of Tintin) museum. Read up now; Steven Spielberg + Peter Jackson Tintin movie coming to a theatre near you Christmas 2011.

And I think that’s enough for tonight *yawn*..wait, you must watch Warehouse 13. It’s smart, funny, well acted, sharply written, surprising and suspenseful…yes, many science fiction stories have the same seeds, but W-13 lets them grow in interesting + intricate ways. Last week’s Alice in Wonderland take was amazing — you can probably catch it next Tuesday at 7.

And yes, it would be nice if Claudia turned out to be gay…

And on that note, a shout out to the Outer Alliance (@nicolaz is a member + my source for this) and the GLBT Bookshelf (@yuricon the source for this one); people are banding together to get lgbt speculative fiction + writing out there. Click through if you’re interested in finding out how/why.

Good night; sleep well.